Hippie picnics in San Francisco’s Golden Gate Park to a flowery soundtrack of the Monkees, Donovan and Nancy Sinatra. Then suddenly the scene changes abruptly to mountain valleys, yodelling choruses and polka folk in traditional Swiss costume with the Valais Alps looming on the horizon.
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Hippie picnics in San Francisco’s Golden Gate Park to a flowery soundtrack of the Monkees, Donovan and Nancy Sinatra. Then suddenly the scene changes abruptly to mountain valleys, yodelling choruses and polka folk in traditional Swiss costume with the Valais Alps looming on the horizon.
Much has been written about this crazy transatlantic biography that whisks a young maiden away from the S.F. Bay Area to “Valais in Wonderland”. How Erika Stucky not only therapied her childhood culture shock at the C.I.M. Jazz School in Paris with voice training, but actually transformed it, making a powerful entrance onto the jazz floor with George Gruntz and Ray Anderson. And how she finally did a neat job of performing the full intercontinental splits with her very own project “Bubbles & Bones”. Amorphously to metamorphic. The amazed press described it like this at times: “Schimmering between alpine girly and jazz lady – more heart-rending than seriously avant-garde. “Serious fun“ (Rolling Stone). „Vocal action art between Laurie Anderson, Meredith Monk and Tom Waits“, discovered Stereoplay. And FAZ states soberly: „There aren´t many vocalists of Erika Stucky’s kind.” What a noble understatement.
The biggest suprise on opening night of the Berlin Jazzfest wa the debut of vocalist Erika Stucky, whose territory encompasses that of Sheila Jordan, Bobby McFerrin and Bruce Hampton.
America's Jazz Magazine - Jazztimes, USA
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